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Djmirror Pulse
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Djmirror Pulse

VJ Software for DJs: Auto Visuals & DMX Lighting

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DjMirror Pulse is a Windows and macOS desktop app that combines real-time

audio-reactive visuals with automatic DMX lighting control. Everything runs

from one laptop. No VJ, no lighting operator, no second machine.

The audio engine analyzes BPM, musical key, song structure (intro, verse,

build-up, drop, outro) and 80+ parameters in real time. Visuals and DMX scenes

respond to the music automatically. You pick a preset, connect your audio

source and DMX interface, and it handles the rest.

It ships with a database of 24,000+ DMX fixtures across all major brands.

Compatible with Enttec, DMXKing, Eurolite and most USB-DMX adapters. Runs on

Windows 10/11 (x64) and macOS Apple Silicon.

Pricing:

- Personal license: $99 one-time

- Commercial license: $179/year

- 14-day free trial, no credit card required

Website: djmirror.com

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Features

- Audio-reactive visuals that sync to the music in real time

- Automatic DMX control — no manual programming required

- BPM detection with industry-level precision

- Musical key detection with confidence scoring

- Song structure detection: intro, verse, build-up, drop, break, outro

- 80+ configurable audio parameters for visual and DMX automation

- 24,000+ DMX fixture database included

- Moving head support with automated movement patterns

- 1 DMX universe via USB-DMX interface

- Compatible with Enttec, DMXKing, Eurolite and most USB-DMX adapters

- Runs on Windows 10/11 (x64) and macOS Apple Silicon (M1–M4)

- Android remote control app

- Single-laptop setup — no second machine needed

- 14-day fully functional trial, no credit card

Use Cases

- Solo DJ running an LED wall at a private event without a VJ or lighting crew

- Mobile DJ who wants to add synchronized lighting to their setup without

extra staff

- Wedding DJ managing visuals and DMX spotlights from a single laptop

- Club DJ controlling stage lighting that reacts to drops and breakdowns

automatically

- Event production company reducing AV crew costs by consolidating visuals and

DMX into one operator

- DJ school or academy teaching students how to build a complete AV setup

- Festival DJ on a tight production budget who needs a full light show without

a lighting tech

Comments

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My name is Carlos and I work in marketin...

I'm Carlos, co-founder of DjMirror Pulse. My partner Jorge built the engine; I'm the one who kept showing up to gigs with two laptop and losing my mind trying to keep them in sync. For years I ran Resolume on one machine and SoundSwitch on another. It worked technically. But you spend the whole set watching two screens instead of reading the room. One cable issue and the whole show breaks. I kept thinking here had to be a better way, and eventually Jorge and I just built it ourselves. Pulse puts audio-reactive visuals and DMX control in one app. The lighting follows the music automatically, which means I can actually focus on DJing. We launched the trial in early 2026 and we're still in the early days. The product works, people are using it at real gigs, but there's a lot we're still figuring out — which setups work best, which fixture types people actually use, what the onboarding should look like. If you're a DJ or event tech person and you've hit this problem, I'd genuinely like to hear how you're solving it right now. Happy to answer questions here or over email.

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Comments

custom-img
My name is Carlos and I work in marketin...

I'm Carlos, co-founder of DjMirror Pulse. My partner Jorge built the engine; I'm the one who kept showing up to gigs with two laptop and losing my mind trying to keep them in sync. For years I ran Resolume on one machine and SoundSwitch on another. It worked technically. But you spend the whole set watching two screens instead of reading the room. One cable issue and the whole show breaks. I kept thinking here had to be a better way, and eventually Jorge and I just built it ourselves. Pulse puts audio-reactive visuals and DMX control in one app. The lighting follows the music automatically, which means I can actually focus on DJing. We launched the trial in early 2026 and we're still in the early days. The product works, people are using it at real gigs, but there's a lot we're still figuring out — which setups work best, which fixture types people actually use, what the onboarding should look like. If you're a DJ or event tech person and you've hit this problem, I'd genuinely like to hear how you're solving it right now. Happy to answer questions here or over email.

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